November 30, 2021
Details You Cannot Miss from Hitchcock Films

Details You Cannot Miss from Hitchcock Films

August 1939: Johnny Jones alias Huntley Haverstock, a foreign correspondent for the New York Globe, witnesses a murder in Amsterdam. A Dutch diplomat at the peace conference is the victim of an attack. The American succeeds in catching the (German) perpetrator, not without falling in love with his daughter. The war breaks out and Johnny will stay here. From the theater of war, he reports to the editor: “In Europe the lights go out, surround yourself with steel, America!”

What are the films?

“Mord ” (old title: “Mord”), after ” Rebecca ” (both 1940) the second Hollywood film by the Englishman Alfred Hitchcock, is one of the best-made works of the director but is also typical of how unhesitating the action master is political issues. Another case: The telephoto lens is in the hollowed-out picnic bun, the camera parts lie between sausage slices, but innocent little birds, who were already the title characters of a visionary utopian thriller, are exposed by the CIA informers in Cuba. Wrong like the eponymous “Topaz” “(1968) is also the Cuban Juanita. If she vacillates in love between the Castro-loyal Rico Parra and the smart US agent, she passionately hates those people who” have turned the country into a prison, despite the splendid country residence and servants.” You can watch free movies online and find the best Hitchcock films.

The Use of the Events in Hitchcock Films:

In his films, Alfred Hitchcock often used current events as a foil for fictional suspense stories, also known as suspense thrillers. Nonetheless, with a few exceptions, his films were always most fascinating when they were the furthest removed from reality – like “The Rope” from 1948, which the American Metro Goldwyn Mayer only later called a ” cocktail for a corpse ” in a weakened dialogue version “brought into our cinemas: Two Harvard students commit a coldly calculated murder according to the Nazi ideology of an unworthy life.

In the apartment of the murdered host (he lies dead in the chest) they discuss with their professor whether or not an over-intelligent person the killing of an “inferior.” Here, too, Hitchcock only uses the madness ideology as a plaything, completely distancing himself from reality and making a film in a brilliantly fascinating form: the chamber play story, which takes place almost in a single room, is a role for Roll rotated without fading and cuts, the camera follows every movement of the people.

The Understanding of the Hitchcock:

Hitchcock was a master of surprise, but at the same time a perfectionist. Accuracy and care were his top laws, and if a logical error appears in one of his films, it will certainly soon prove to be well-calculated. The starting point is usually a blameless, harmlessly respectable citizen who, through fateful entanglements or false circumstantial evidence, is involved in a crime who, in the eyes of the public, is a murderer, a thief, a criminal.

Conclusion

The cinema viewer is usually the only one who knows that the hunted is innocent, and the following plot of the film shows in minute detail how the innocent manages to get rid of the blemish. It is not uncommon for the victim to get caught up in a web of confusing and seemingly insoluble entanglements.